Clean Slate: On Ricky D’Ambrose’s “The Cathedral”
Max Levin writes about Ricky D’Ambrose’s autobiographical feature film, “The Cathedral.”
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
Max Levin writes about Ricky D’Ambrose’s autobiographical feature film, “The Cathedral.”
Max LevinJan 13, 2023
Alex Harvey reviews John Scanlan’s “Rock ’n’ Roll Plays Itself: A Screen History.”
Alex HarveyJan 11, 2023
J. Hoberman reviews Ruth Beckermann’s film, “Mutzenbacher,” loosely adapted from the 1906 novel.
J. HobermanJan 10, 2023
On its 75th anniversary, Jason Resnikoff revisits the World War II documentary “Thunderbolt” and how it captures the relationship between filmmaking and war-making.
Jason ResnikoffDec 28, 2022
Aynne Kokas reviews two recent books about the intersection of China and Hollywood: Ying Zhu’s “Hollywood in China: Behind the Scenes of the World’s Largest Movie Market” and Daryl Joji Maeda’s “Like Water: A Cultural History of Bruce Lee.”
Aynne KokasDec 27, 2022
Ryan Coleman reviews Sarah Polley’s film adaptation of Miriam Toews’s “Women Talking.”
Ryan ColemanDec 22, 2022
R. Colin Tait discusses Michael Schulman’s profile of Jeremy Strong.
R. Colin TaitDec 20, 2022
J. D. Connor analyzes how cultural shifts in the relationship between movies and money made James Cameron’s initial record-breaking blockbuster “Avatar” somewhat forgettable while the Disney marketing machine is now going to try to reinvent the franchise
J. D. ConnorDec 16, 2022
David Matorin reviews Jennifer West’s debut artist monograph, “Media Archaeology.”
David MatorinDec 14, 2022
Eva Pensis reviews Andrea Pallaoro’s film “Monica.”
Eva PensisDec 9, 2022
Chris Yogerst reviews Jeanine Basinger and Sam Wasson’s “Hollywood: The Oral History.”
Chris YogerstDec 5, 2022
Brian Jacobson gives historical and cultural context to the “Sight & Sound” Best Of poll.
Brian R. JacobsonDec 2, 2022