Certain, but Not Final
Winnie Wang reviews Madeleine Hunt-Ehrlich’s debut feature “The Ballad of Suzanne Césaire.”
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
Winnie Wang reviews Madeleine Hunt-Ehrlich’s debut feature “The Ballad of Suzanne Césaire.”
Winnie WangAug 25
Elizabeth Alsop reviews “The Studio,” “The Franchise,” and other recent industry satires.
Elizabeth AlsopAug 17
Alison Laurence reviews “Jurassic World Rebirth” in the context of de-extinction developments.
Alison LaurenceAug 16
Nolan Kelly watches two movie adaptations of Sigrid Nunez novels, “The Room Next Door” and “The Friend.”
Nolan KellyAug 13
Winnie Code considers Andrew DeYoung’s debut feature film “Friendship.”
Winnie CodeAug 8
Michael Kobre considers the Fantastic Four superhero “The Thing” and Jack Kirby’s relationship to his own Judaism.
Michael KobreAug 4
Caroline Hagood explores Jason Weiss’s “Other Lives Our Own,” a collection she hears in spectral conversation with the work of Kendrick Lamar and Agnès Varda.
Caroline HagoodAug 2
Tia Glista watches Eva Victor’s directorial debut, “Sorry, Baby.”
Tia GlistaJul 31
Amelia Anthony aims to separate the art from the artist while reading James Miller’s “The Passion of Pedro Almodóvar: A Self-Portrait in Seven Films.”
Amelia AnthonyJul 31
Soraya Sebghati outlines a canon of 21st-century Iranian film.
Soraya SebghatiJul 28
Kevin Koczwara reminisces on Jim Carrey’s film oeuvre, from “Ace Ventura” and “Man on the Moon” to “Sonic the Hedgehog 3.”
Kevin KoczwaraJul 28
M. G. Lord watches National Geographic’s new documentary “Sally.”
M. G. LordJul 27