What Was Unseen: On Kelly Reichardt’s “Showing Up”
Yael Friedman looks at Kelly Reichardt’s “Showing Up” in the context of other art-world movies....
Yael Friedman looks at Kelly Reichardt’s “Showing Up” in the context of other art-world movies....
Yael FriedmanMay 11
The team behind “Mothers of Sierra Leone” explains the shortcoming of “consciousness raising” in global maternal healthcare and examines how their documentary shorts provide useful films for the women of Sierra Leone....
Michael Kramp, Fathima Wakeel, Jordyn Pykon, Nahjiah MillerMay 10
Adèle Cassigneul reviews Alice Blackhurst’s “Luxury, Sensation and the Moving Image,” and, in doing so, interrogates feminist artistic constellations as they are traditionally understood....
Adèle CassigneulMay 4
Katharine Coldiron looks at the cultural dysphoria caused by the Hays Code in US cinema....
Katharine ColdironMay 3
Harry Waksberg compares two recent histories of Sydney Pollack’s 1973 film “The Way We Were.”...
Harry WaksbergApr 21
Ariella Garmaise considers Romy Mars’s viral TikTok through the lens of her mother and grandfather’s film “Life Without Zoë.”...
Ariella GarmaiseApr 17
Annie Pfeiffer discusses the translation and adaptation by Philipp Stölzl of Stefan Zweig’s “Chess Story.”...
Annie PfeiferApr 13
Jonah Jeng discusses director John Hyams’s body of work in the context of “vulgar auteurism” and the direct-to-video renaissance....
Jonah JengMar 24
On its 10th anniversary, Paul Thompson revisits Harmony Korine’s “Spring Breakers.”...
Paul ThompsonMar 22
Steven W. Thrasher surveys the onscreen evolution of viruses in the wake of our collective experience with COVID-19....
Steven W. ThrasherMar 13
Frank Falisi writes about Martin McDonagh’s treatment of art and politics in “The Banshees of Inisherin” and his other works....
Frank FalisiMar 10
Pat Cassels considers a spate of new class-conscious popular films, including “Triangle of Sadness,” “The Menu,” and “Glass Onion: A Knives Out Mystery.”...
Pat CasselsMar 7
Katarina O’Briain reviews Martika Ramirez Escobar’s “Leonor Will Never Die.”...
Katarina O’BriainMar 6
Francey Russell reviews Alice Diop’s film “Saint Omer.”...
Francey RussellMar 2
Carl Abbott revisits Joel Schumacher’s “Falling Down,” starring Michael Douglas, for the film’s 30th anniversary....
Carl AbbottFeb 26
Sophia Stewart thinks about the relationship between art and content through Bo Burnham’s twin specials, “Inside” and “The Inside Outtakes.”...
Sophia StewartFeb 22
Rox Samer reviews the documentary “Loving Highsmith” and highlights the trans resonances in Patricia Highsmith’s life and work....
Rox SamerFeb 16
Sarah Fensom reviews Stephanie LaCava’s “Based On, If Any.”...
Sarah FensomFeb 13
J. D. Connor asks why Netflix spent $450 million to acquire the “Glass Onion” franchise....
J. D. ConnorFeb 9
Greg Cwik reviews Kiyoshi Kurosawa’s film “Cure” on the occasion of its 25th anniversary last year....
Greg CwikFeb 8
Eileen G’Sell interviews Laure Calamy, star of the film “Full Time.”...
Eileen G’SellFeb 6
Paul Thompson examines the metabolization of bullshit into our lives, by way of analyzing Peter Bogdanovich’s film “Paper Moon” and Robert Greene’s book “The 48 Laws of Power.”...
Paul ThompsonJan 28
Greta Rainbow writes about Joanna Hogg’s film “The Eternal Daughter.”...
Greta RainbowJan 28
Laura Nelson reviews Lizzie Borden’s “Regrouping.”...
Laura NelsonJan 26