Autofiction and the Asian Diaspora: A Q-and-A with Anelise Chen
Anelise Chen’s “So Many Olympic Exertions” is autofiction as exhortation.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Anelise Chen’s “So Many Olympic Exertions” is autofiction as exhortation.
Grafias JournalApr 3, 2018
Katharine Coldiron finds Carl Frode Tiller’s “Encircling 2” an incomparable intellectual escapade.
Katharine ColdironApr 1, 2018
Eileen Battersby is ravished by “The House of Remembering and Forgetting,” a new novel by Filip David, translated by Christina Pribićević-Zorić.
Eileen BattersbyApr 1, 2018
Courtney Zoffness remembers Sarah Coleman, whose “The Realist: A Novel of Berenice Abbott” was recently released.
Courtney ZoffnessMar 30, 2018
The truth is messy, complex, not easily fit into a narrative in Jonathan Miles’s “Anatomy of a Miracle.”
Chelsea LeuMar 29, 2018
Nathan Scott McNamara talks to translator Christina MacSweeney about her work with Valeria Luiselli, Verónica Gerber Bicecci, and Daniel Saldaña París.
Nathan Scott McNamaraMar 29, 2018
RJ Newell talks to Kristin Hannah, author of “The Great Alone,” a novel set in Alaska in the 1970s.
RJ NewellMar 27, 2018
Christina Soto van der Plas on the challenges and joys of reading Clarice Lispector's "The Chandelier," recently released by New Directions.
Christina Soto van der PlasMar 27, 2018
Charles Taylor catches up with "The Friend" by Sigrid Nunez.
Charles TaylorMar 21, 2018
Thomas Pavel on Matei Calinescu's "The Life and Opinions of Zacharias Lichter," recently rereleased by NYRB Classics.
Thomas PavelMar 20, 2018
“Call Me Zebra” is a filthy love note to literature unabashedly luxuriating in its bookishness.
Irina DumitrescuMar 18, 2018
Sophie Duvernoy on Alfred Döblin’s “Berlin Alexanderplatz,” a masterpiece of German modernism, and its translations into English.
Sophie DuvernoyMar 18, 2018