Comics and Storytelling: A Conversation with Mat Johnson
On "Incognegro," moving between literary fiction and graphic novels, and the Harlem Renaissance.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
On "Incognegro," moving between literary fiction and graphic novels, and the Harlem Renaissance.
Alex DuebenApr 21, 2018
Seeking the elusive heart of Donald J. Trump.
Jonathan KendallApr 19, 2018
On the virtual reality of consumer capitalism …
Douglas LainApr 18, 2018
Thomas J. Millay finds Julian Barnes’s “The Only Story” a perplexing, profoundly enjoyable story about the phenomenology of love.
Thomas J. MillayApr 17, 2018
Lauren Young talks to Winnie M. Li about her debut novel, “Dark Chapter,” and the aesthetic and political struggles of translating the nuances of recovery.
Lauren YoungApr 17, 2018
A. M. Bakalar reviews “Society for the Prevention of Cruelty to Animals,” a novella by J. R. Pick, translated from the Czech by Alex Zucker.
A. M. BakalarApr 15, 2018
The prose in Rodrigo Fresán’s “The Bottom of the Sky” bristles with energy.
Joey RubinApr 13, 2018
It’s not your mother’s feminism in Therese Bohman’s “Eventide.”
Randy RosenthalApr 13, 2018
Meg Wolitzer’s “The Female Persuasion” is a work of imagination and intelligence.
Lori FeathersApr 12, 2018
Azarin Sadegh reviews Négar Djavadi's debut novel.
Azarin SadeghApr 11, 2018
Eileen Battersby reviews “Flights,” a novel by Olga Tokarczuk, translated from the Polish by Jennifer Croft.
Eileen BattersbyApr 11, 2018
Despite its brevity, Hanne Ørstavik's "Love," effectively rendered into English by Martin Aitken, demands and deserves total concentration.
Anita FelicelliApr 10, 2018