How to Defend Democracy from Itself: On Steve Erickson’s “American Stutter, 2019–2021”
Charles Taylor reviews Steve Erickson’s diary of the pandemic years, “American Stutter, 2019–2021.”
Charles Taylor is the author of Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American ’70s. He lives in New York.
Charles Taylor reviews Steve Erickson’s diary of the pandemic years, “American Stutter, 2019–2021.”
Edna Ferber’s 1952 best seller “Giant” prefigured the ugly truths that lie at the core of Trumpism.
Charles Taylor considers Terry Southern's "Blue Movie," which Grove Press recently rereleased in a 50th-anniversary edition.
Charles Taylor reviews the restoration and Blu-ray release of the 1965 documentary “Tokyo Olympiad,” centered on the 1964 Olympics.
Charles Taylor reviews “This Is Pleasure,” the new novella from Mary Gaitskill.
Charles Taylor explores the historical and cinematic resonances of Edward Norton’s adaptation of Jonathan Lethem’s novel, “Motherless Brooklyn.”
Charles Taylor is moved by Edna O’Brien’s new novel, “Girl.”
Charles Taylor marvels over "Amazing Grace."