Charles Taylor’s writing on movies, books, music, and politics has appeared in The New York Times, The New Yorker, The Yale Review, The Nation, Dissent, and other publications. He is a member of the National Society of Film Critics and teaches writing at New York University.
CONTRIBUTOR ARTICLES
It Takes Two: “Shadowbahn” by Steve Erickson
Charles Taylor on Steve Erickson's "Shadowbahn."...
A Man in Himself is a City: Jim Jarmusch’s “Paterson”
Charles Taylor visits Jim Jarmusch's "Paterson."...
Overlooked, Again
Charles Taylor reviews Tom Jones's autobiography....
Shoe Leather: On “Spotlight”
For writer-director McCarthy and his co-writer Singer, "Spotlight" is a leap in terms of scale and depth....
Answers No One Wants to Hear
Charles Taylor reviews Michel Houellebecq's "Submission."...
On the Hoof, On the Barrel: “On Prime Cut”
"Prime Cut" is a sardonic report from the battle to define what America was and who it was for....
Bebop/Silence: On Hickey & Boggs
"The final irony of Hickey & Boggs is that this movie about isolation and displacement is an affirmation of a real-life partnership."...
Three the Hard Way: The Return of Sleater-Kinney
On Sleater-Kinney’s legacy upon the release of their vinyl boxset, "Start Together."...
Eight Arms to Hold You
On 'A Hard Day's Night'...
Let Me Whisper in Your Ear
On the mysterious Lewis...
Support Your Local Wussy
The sad transcendence of Wussy's 'blue-collar bohemianism'...
Escape Artist
Charles Taylor reviews Johnny Moncada’s unseen photographs of Veruschka, the timeless model from the 1960s....
Meryl Streep’s Hunger Games
I KNOW OF A COUPLE that has harmoniously chosen movies to watch together for years by following some very simple rules. ...
Atmosphere for Lovers and Thieves: Leos Carax’s “Mauvais sang”
French director Leos Carax’s 1986 “Mauvais sang”...
