Integral Witnesses
Renee Hudson reviews Eliana Hernández-Pachón’s “The Brush” and Selva Almada’s “Not a River.”
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Renee Hudson reviews Eliana Hernández-Pachón’s “The Brush” and Selva Almada’s “Not a River.”
Renee HudsonJul 25
Gisela Salim-Peyer reviews Rodrigo Blanco Calderón’s “Simpatía” in advance of the Venezuelan elections.
Gisela Salim-PeyerJul 24
Jenessa Abrams reviews Sarah Manguso’s “Liars” in the wake of Andrea Skinner’s revelation about her sexual abuse and her mother Alice Munro’s silence.
Jenessa AbramsJul 23
Rob Latham reviews Peter Bush’s new translation of Honoré de Balzac’s novel “The Lily in the Valley” for NYRB Classics.
Rob LathamJul 23
Hamilton Cain reviews the prolific Irish author Kevin Barry’s new literary Western, “The Heart in Winter.”
Hamilton CainJul 22
Ilana Masad interviews Emma Copley Eisenberg about her first novel, “Housemates.”
Ilana MasadJul 19
Jess Libow explores how disabled writers have taken up Frida Kahlo’s image and legacy.
Jess LibowJul 15
Madeline Howard reviews Hannah Regel’s “The Last Sane Woman.”
Madeline HowardJul 13
Jenna N. Hanchey reviews Suyi Davies Okungbowa’s “Lost Ark Dreaming.”
Jenna N. HancheyJul 11
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Kelly CoyneJul 3
Meara Sharma reviews Rosalind Brown’s “Practice.”
Meara SharmaJun 26
LARB presents an excerpt from Yasmin Zaher’s new book “The Coin.”
Yasmin ZaherJun 23