Fiction
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Dead or Straight: The Conundrum of the Lesbian Coming-of-Age Story
How true, how frequent, is the "dead or straight" binary to the lesbian novel at large?
Laura GoodeMay 2, 2012
Anti-Comprehension Pills
what may seem most revolutionary about Barthes’s essay is what it takes for granted: that there are readers at all for literary fiction
Lee KonstantinouMar 28, 2012
Discoveries: Krys Lee
Most have been forced to piece together a life between Korea and America.
Susan Salter ReynoldsMar 24, 2012
Discoveries: Gail Jones
With her first few brushstrokes, Jones sets these lives in motion, towards each other
Susan Salter ReynoldsMar 24, 2012
The Criminal Kind: Ken Bruen
It’s Jack Taylor’s lovably cynical personality, rather than the mystery, that drives the story forward.
Cullen GallagherMar 22, 2012
The Criminal Kind: Christa Faust
Apathy, booze, and cynicism are the standard PI’s ABCs, but Bruen’s detective takes things to a whole new level.
Mar 22, 2012
The Criminal Kind: Ed Gorman
The hallmark of Gorman's style is the utter simplicity and clarity of his language. Straightforward prose is the hallmark of his moral universe.
Mar 22, 2012
The Criminal Kind: Day Keene
One of the distinctive characteristics of Keene's male protagonists is their self-awareness. They know they're sleazebags.
Cullen GallagherMar 22, 2012
Damages: Michelle Latiolais's "Widow"
Some moments unfold in paragraphs and minutes, while others span pages and years.
Mindy FarabeeMar 21, 2012
Pulsing Jewels
what fine filling there is between the covers.
Emily GreenMar 21, 2012
Words For Remembering: Peter Orner's "Love and Shame and Love"
Orner’s off-the-cuff musing that shame is more interesting than love is actually at the emotional heart of his epic family saga
Lauren Eggert-CroweMar 21, 2012
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