Histories of Violence: Thinking Art in a Decolonial Way
Brad Evans speaks with Lewis R. Gordon, author of “What Fanon Said.” A conversation in Brad Evans’s "Histories of Violence" series.
"Art is making something out of nothing and selling it." — Frank Zappa
Brad Evans speaks with Lewis R. Gordon, author of “What Fanon Said.” A conversation in Brad Evans’s "Histories of Violence" series.
Brad EvansJun 3, 2019
John McIntyre talks to Los Angeles–based artist Grey James about his new show at Bert Green Fine Arts in Chicago.
John McIntyreMay 31, 2019
Julian Rosefeldt’s "Manifesto" declares itself as a series of canny thefts.
Martin HarriesMay 27, 2019
In "Balkon," Pamuk relies on photography to provide context as well as archival evidence. The photographs become part of the process of writing.
Erdağ GöknarMay 19, 2019
The Gypsy Girl, however, is nothing but eyes. No part of her makes her foreign or insists on her difference. She is whatever you would like her to be.
Ayşegül SavaşMay 18, 2019
Geoff Nicholson looks at “Life of David Hockney: A Novel” by Catherine Cusset, translated by Teresa Lavender Fagan.
Geoff NicholsonMay 14, 2019
Paul Morton follows the line through Saul Steinberg's "The Labyrinth," recently rereleased by New York Review Books.
Paul MortonMay 11, 2019
Alex Weintraub evaluates the Met's "Camp: Notes on Fashion," which has an "approach to fashion [that] is, ultimately, a self-defeating one."
Alex WeintraubMay 5, 2019
Ezrha Jean Black considers the potential of “Moving Around: A Lifetime of Wandering” by Michael Webb.
Ezrha Jean BlackMay 4, 2019
Lynne Tillman talks about her friendship with the late art critic, Craig Owens.
Ross McElwainMay 1, 2019
"A kind of emptiness makes the green spaces of The Spheres feel more like a branding move on Amazon’s part than a facility to be used by actual workers."
Sheila LimingApr 26, 2019
Grace Hadland interviews artist Chris Rush about his new memoir, “The Light Years,” which details his coming-of-age as a gay man in 1970s suburbia.
Gracie HadlandApr 16, 2019