Martin Harries is professor of English at UC Irvine. The author of Forgetting Lot’s Wife: On Destructive Spectatorship, he is working on “Theater after Film,” a book about the impact of mass culture on postwar drama.
CONTRIBUTOR ARTICLES
On “Manifesto”
Julian Rosefeldt’s "Manifesto" declares itself as a series of canny thefts....
On Anna Maria Maiolino’s “Entrevidas” (Saturday, September 16, 2017)
Martin Harries on a recent performance of Anna Maria Maiolino's "Entrevidas," which will be performed again on November 5....
The War in Troy Did Not Take Place: The Wooster Group’s "Cry, Trojans!"
The Wooster Group returned to Shakespeare this spring with a completely preposterous and seriously probing, if flawed, production of Troilus and Cressida....
