Brand America: 100 Years of PENs
Esther Allen reports on the state of PEN America.
"For a long time now I haven't been I."
— Fernando Pessoa, The Book of Disquiet
Esther Allen reports on the state of PEN America.
Esther AllenNov 19, 2022
Daniela Blei explores the paradoxes constituted by “the beach” — an allegedly natural place of leisure and fun since the Industrial Revolution, and now the site of our species’ myopia.
Daniela BleiNov 16, 2022
Jimin Kang reviews Karen Cheung’s “The Impossible City: A Hong Kong Memoir.”
Jimin KangNov 14, 2022
Michael Szalay asks Kim Jee-woon about his new Apple TV+ series, “Dr. Brain.”
Michael SzalayNov 11, 2022
Jenny Wu reviews Li Zi Shu’s “The Age of Goodbyes,” translated by YZ Chin.
Jenny WuNov 10, 2022
A report on Louise Steinman’s book launch in Poland and the larger project of Polish-Jewish reconciliation.
Laurie Winer, Louise SteinmanNov 6, 2022
Maddie Crum reviews two new editions of Felix Salten’s classic novel “Bambi.”
Madeleine CrumNov 3, 2022
Hannah Kofman reviews Saskia Vogel’s translation of Johanne Lykke Holm’s “Strega.”
Hannah KofmanNov 1, 2022
Allan Graubard reviews a new English translation, by Peter Valente, of Gérard de Nerval’s “The Illuminated; or, The Precursors of Socialism: Tales and Portraits.”
Allan GraubardOct 30, 2022
Brahim El Guabli analyzes the postcolonial emergence of Amazigh literature.
Brahim El GuabliOct 28, 2022
Eric Vanderwall reviews the reissue of Dubravka Ugrešić 2003 book “Thank You for Not Reading: Essays on Literary Trivia,” translated by Celia Hawkesworth and Damion Searles.
Eric VanderwallOct 27, 2022
Cory Oldweiler reviews Moldovan author Liliana Corobca’s novel “The Censor’s Notebook,” translated by Monica Cure.
Cory OldweilerOct 25, 2022