Rejoice, Artists and Lawyers, at the Mutual Goal of Art and Law: On Yxta Maya Murray’s “We Make Each Other Beautiful”
Ishani Chokshi reviews Yxta Maya Murray’s latest book, “We Make Each Other Beautiful: Art, Activism, and the Law.”
Ishani Chokshi reviews Yxta Maya Murray’s latest book, “We Make Each Other Beautiful: Art, Activism, and the Law.”
Alina Stefanescu reviews Patrick Nathan’s “The Future Was Color” …
Mala Chatterjee reads Alexander Kriss’s “Borderline: The Biography of a Personality Disorder” in the context of her own borderline diagnosis.
Daniel Swain reviews Michael Nott’s “Thom Gunn: A Cool Queer Life” …
Evan Grillon reviews Percival Everett’s “James.”
Michael Scott Moore assesses the legacy of the Russian surrealist Vladimir Sorokin.
Lily Felsenthal and Debbie Ou interview Miranda July about her novel “All Fours.”
Jim Coby reviews Paul Tremblay’s “Horror Movie.”
David Alff reviews Megan Kimble’s “City Limits: Infrastructure, Inequality, and the Future of America’s Highways.”
Who is to blame for Trump? Bill Thompson reviews Robert Kagan’s “Rebellion: How Antiliberalism Is Tearing America Apart—Again.”
Josh Cohen reviews Anna Katharina Schaffner’s “Exhausted: An A–Z for the Weary” and Byung-Chul Han’s “Vita Contemplativa: In Praise of Inactivity.”
Charlie Taylor reviews the new English translation of Louis-Ferdinand Céline’s “lost” novel, “War.”
Katie Catulle reviews “A Journal of the Plague Years,” an anthology on the COVID-19 lockdown and aftermath.
Juno Richards reviews Jules Gill-Peterson’s “A Short History of Trans Misogyny.”
Edmée Lepercq reviews Iman Mersal’s “Traces of Enayat.”
Diana Heald reviews Marisa Meltzer’s “Glossy: Ambition, Beauty, and the Inside Story of Emily Weiss’s Glossier.”