How to Read Provincially: On Sumana Roy’s “Provincials”
Sameer Pandya reviews Sumana Roy’s “Provincials: Postcards from the Peripheries.”
Sameer Pandya reviews Sumana Roy’s “Provincials: Postcards from the Peripheries.”
Elizabeth S. Anker reviews Jonathan Kramnick’s “Criticism & Truth: On Method in Literary Studies.”
Andrew Koppelman critiques Jack Balkin’s ”Memory and Authority.”
Ieva Jusionyte reviews Angela Garcia’s “The Way That Leads Among the Lost: Life, Death, and Hope in Mexico City’s Anexos.”
Ananya Kanai Shah reviews Ae Hee Lee’s “Asterism.”
Olivia Stowell reviews Emily Nussbaum’s “Cue the Sun! The Invention of Reality TV.”
Meara Sharma reviews Rosalind Brown’s “Practice.”
Erick Verran reviews Frederick Seidel’s “So What.”
Tim Riley reviews Carrie Courogen’s “Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius.”
Tom Zoellner considers the eternal game of cat and mouse between celebrities and journalists in Alex Belth’s “What Makes Sammy Jr. Run? Classic Celebrity Journalism Volume 1 (1960s and 1970s).”
LARB presents an excerpt from Yasmin Zaher’s new book “The Coin.”
Anna Marie Cain interviews Paul Tremblay about horror movies and his novel “Horror Movie.”
Bryan Garner reviews Ward Farnsworth’s “Classical English Argument,” exposing flaws, foibles, and fallacies employed by English language writers.
Carey Mott reviews Sean H. Vanatta’s “Plastic Capitalism: Banks, Credit Cards, and the End of Financial Control.”
Paolo Musso believes the work of an open-minded, bighearted scientist like Marcelo Gleiser is of paramount importance to our future.
T. M. Brown reviews Andy McCullough’s “The Last of His Kind: Clayton Kershaw and the Burden of Greatness.”