Lifestyles of the Rich and the Abject
Caroline Tracey explores, via Dahlia de la Cerda’s “Reservoir Bitches,” the possibilities and limits of women’s agency on the fringes of Mexico’s narcosphere.
Caroline Tracey explores, via Dahlia de la Cerda’s “Reservoir Bitches,” the possibilities and limits of women’s agency on the fringes of Mexico’s narcosphere.
Paul Finkelman reviews Richard L. Hasen’s “A Real Right to Vote: How a Constitutional Amendment Can Safeguard American Democracy.”
Alina Stefanescu reviews “The Use of Photography” by Annie Ernaux and Marc Marie, newly translated into English by Alison L. Strayer.
James Webster reviews Lucy Ives’s essay collection “An Image of My Name Enters America.”
Dylan Adamson reviews Kier-La Janisse’s “Cockfight: A Fable of Failure,” a book about the 1974 film “Cockfighter.”
Carol Senf reviews Kathe Koja’s “Catherine the Ghost.”
Christian Kriticos reviews “The Collected Poems of J. R. R. Tolkien.”
Nathan Blansett reviews Margaret Ross’s poetry collection “Saturday.”
Frank Bergon reviews two new collections from Dagoberto Gilb: “New Testaments” and “A Passing West: Essays from the Borderlands.”
Conor Williams reviews Carrie Rickey’s “A Complicated Passion: The Life and Work of Agnès Varda.”
In the latest installment of Screen Shots, Annie Berke recalls Michel Gondry’s “Eternal Sunshine of the Spotless Mind,” a love story about memory loss, for its 20th anniversary.
Michele Willens reviews Connie Chung’s memoir, which recalls her barrier-shattering career in TV news journalism.
Charlie Tyson identifies a political turn in Alan Hollinghurst’s latest novel, “Our Evenings.”
Rhian Sasseen reviews Lauren Elkin’s “Scaffolding.”
Jordan Carroll reviews Spencer Sunshine’s “Neo-Nazi Terrorism and Countercultural Fascism: The Origins and Afterlife of James Mason’s ‘Siege.’”
Michael David-Fox reviews Mikhail Suslov’s “Putinism—Post-Soviet Russian Regime Ideology.”