A Moment of Doubt, or Nearly So
Zachary Gillan reviews Brian Evenson’s new collection “Good Night, Sleep Tight.”
Zachary Gillan reviews Brian Evenson’s new collection “Good Night, Sleep Tight.”
Emmeline Clein considers girls, games, and heterosexual monogamy in her review of Sally Rooney’s new novel, “Intermezzo.”
Reviewing Chaim Gingold’s “Building SimCity,” Celine Nguyen finds similarities between tech billionaires’ attempts to build a utopian city in Solano, California, and being a godlike player in “SimCity.”
Was the CIA more a product of the 19th-century Great Game than the 20th-century Cold War? Greg Barnhisel reviews “The CIA: An Imperial History” by Hugh Wilford.
Is the United States a prisoner of its own mythology? Tom Zoellner looks at “A Great Disorder” by Richard Slotkin.
Michael McGhee reviews “Pessimism, Quietism and Nature as Refuge” by David E. Cooper.
Carolina Abbott Galvão Reviews Clara Drummond’s “Role Play,” translated by Daniel Hahn.
Grace Linden reviews Deborah Levy’s “The Position of Spoons: And Other Intimacies.”
Anne Sawyier reviews Hannah McGregor’s new book, “Clever Girl: Jurassic Park” in the context of big tech’s takeover of Hollywood.
Bill Thompson reviews Alex Hannaford’s “Lost in Austin: The Evolution of an American City.”
Matthew Ritchie reviews “There’s Always This Year: On Basketball and Ascension” by Hanif Abdurraqib.
Randy Rosenthal reviews Juliet Grames’s new Italian mystery "The Lost Boy of Santa Chionia."
Katharina Volckmer reviews Pol Guasch’s “Napalm in the Heart,” translated by Mara Faye Lethem.
Sasha Karsavina examines Mingwei Song’s “Fear of Seeing” and the first two books of Han Song’s “Hospital” trilogy.
Michael Downs reviews Richard Grant’s “A Race to the Bottom of Crazy: Dispatches from Arizona.”
Carmen E. Lamas reviews Renee Hudson’s “Latinx Revolutionary Horizons: Form and Futurity in the Americas.”