Always One More Time: On Walter Benjamin’s “One-Way Street” and “The Storyteller”
Michael Blum takes a fresh look at the shorter work of Walter Benjamin.
Michael Blum takes a fresh look at the shorter work of Walter Benjamin.
Paul Reitter and Chad Wellmon review Christopher Newfield’s new book on public universities.
Who was President Clinton? John Compton looks to Russell L. Riley's oral history "Inside the Clinton White House" to find out.
Greg Cullison looks to Kaya Genç's "Under the Shadow" to make sense Turkey's past few years of protest and tumult.
Colin Dickey reviews Leo Braudy’s “Haunted: Witches, Vampires, Zombies, and Other Monsters of the Natural and Supernatural Worlds.”
Christina Lupton on Matthew Rubery's "The Untold Story of the Talking Book."
Nikita Lalwani and Sam Winter-Levy unravel George J. Borjas's immigration narrative.
Who was Shakespeare’s fair youth? Matthew Harrison reviews Elaine Scarry’s “Naming Thy Name: Cross Talk in Shakespeare’s Sonnets.”
Houman Barekat appreciates the old-school rigor of “Monstrous Century: Essays in The Age of the Feuilleton” by Stoddard Martin.
Matt Goulding fell in love with Spain, Spanish food, and his Spanish wife, in that order.
Menachem ponders the Chabonian mode of “Moonglow” by Michael Chabon.
Sarban’s sadistic atavistic fantasy of an alternate Nazi future has unexpected, chilling resonance in the age of Putin, Trump, and Brexit.
Bryony White on Marina Abramović's new memoir, "Walk Through Walls."
Madeleine Watts tries to find out what we desire in Emily Witt's new book.
A review of Tom Lutz’s two new travel books.
Nina MacLaughlin on two new books by Anne Carson and Mary Ruefle.