There Will Be Feelings: On George Toles’s “Paul Thomas Anderson”
Martin Woessner mines the depths of “Paul Thomas Anderson” by George Toles.
Martin Woessner mines the depths of “Paul Thomas Anderson” by George Toles.
Donald Breckenridge on Javier Marías's "Thus Bad Begins."
Karen Karbo on Jessica Bennett's especially timely "Feminist Fight Club."
How oxymoronic is “Islamic-Secularist”? Owen says plenty, but that some hybrid is inevitable.
Jack Miles admires the rich simultaneity Janet Sternburg has captured in the photographs collected in “Overspilling World.”
Kate McLoughlin on Philippe Sands's "East West Street."
Shir Alon examines the concept of world literature put forward in “What Is a World?” by Pheng Cheah.
Libby Flores on Taylor Larsen's "Stranger, Father, Beloved."
Ann Leckie’s Imperial Radch trilogy exemplifies not only what the best space opera can achieve, but also what the best science fiction can offer.
Jean Hey reviews David Francis’s novel "Wedding Bush Road."
Adrian Nathan West appreciates the diversity of “Viktor Shklovsky: A Reader” edited by Alexandra Berlina.
TV writer and podcast star Phoebe Robinson has a new book: “You Can’t Touch My Hair.”
David S. Wallace examines the many facets of Eliot Weinberger.
The novel explores dam building, pipelines, and their repercussions on indigenous people.
Désirée Zamorano reviews “Zero Saints” by Gabino Iglesias.
Louise Hill answers whether "Making Literature Now" is worth your time.