A Surreal Argentine Western in César Aira’s “Ema the Captive”
César Aira's "Ema the Captive" is a surreal Western in the spirit of Cormac McCarthy’s "Blood Meridian" that causes you to lose your sense of proportion.
César Aira's "Ema the Captive" is a surreal Western in the spirit of Cormac McCarthy’s "Blood Meridian" that causes you to lose your sense of proportion.
Andrew Lipstein takes a fork to “Table Manners” by Jeremiah Tower.
Who ended up in Jeff and Ann VanderMeer's "The Big Book of Science Fiction"?
Is Bruce Springsteen's memoir "Born to Run" one of the great music memoirs, or just a tired retread of the rock star mythos?
Gail Pellett on millennials in China.
Richard Posner is a monster, or so he says, but so is Wagner, Tolstoy, Proust, Kafka.
Booker-shortlisted David Szalay plays the modernist game remarkably well.
Fanny Howe continues to unsettle and compel in her new collection "The Needle's Eye."
Brachah Goykadosh reviews two new books on Ruth Bader Ginsburg.
The recently translated “A Greater Music” by Bae Suah is a dreamy time-warp of a novel that complicates our relationship with reality.
Daniel Friedman reviews “My Turn: A Life of Total Football” by Dutch soccer legend Johan Cruyff.
Andrew Schenker explores Aaron Gilbreath's inner life.
Marjorie Perloff’s account of a world no longer there as if it were in the texts of Viennese modernism.
Stina Attebery on Gerald Vizenor's newest novel.
Ed Boland’s year of teaching in a tough school in New York City.
Colin Vanderburg reviews Jack Hamilton’s “Just Around Midnight: Rock and Roll and the Racial Imagination.”