The Slovak Kafka: On Balla’s “In the Name of the Father”
Charles Sabatos contextualizes the Kafkaesque post-communist novella “In the Name of the Father” by the major Slovak author Balla.
Charles Sabatos contextualizes the Kafkaesque post-communist novella “In the Name of the Father” by the major Slovak author Balla.
Jonathan Alexander ponders homophobia in Islam and Christianity.
Joseph G. Kickasola reviews Robert Sinnerbrink's "Cinematic Ethics: Exploring Ethical Experience through Film."
Matthew Zapruder is persuasive and optimistic enough to make one feel patriotic about poetry.
Adam Fales reviews Jean Giono’s “Melville: A Novel.”
Bécquer Seguín reviews Andrés Barba's recently translated "Such Small Hands."
Omar Robert Hamilton revisits the Arab Spring in his jolting new novel, "The City Always Wins."
The Trump era wasn’t this nation’s first constitutional mess; the worst one happened almost right after we had a Constitution, argues a new book.
Natalie Eilbert reviews Charif Shanahan’s new collection, “Into Each Room We Enter without Knowing.”
Rachel Hadas reviews Mary Jo Salter’s “The Surveyors.”
Henry T. Greely on the contentious history of CRISPR patents.
Erdağ Göknar reviews Orhan Pamuk's latest.
On “My Heart Hemmed In” by Marie NDiaye.
Victoria Dailey considers the art of caricature and freedom of the press under Louis Philippe and Donald Trump.
The long, strange history of Soviet mind control experiments.
One of the best-paid German journalists in the 1920s, Kurt Tucholsky was the canary in the coal mine of the Weimar Republic.