From Pariahs to the Privileged: On Keri Leigh Merritt’s “Masterless Men”
"As poor whites began to enjoy more of the privileges of whiteness, symbols of the slaveholders’ crusade came to represent general whiteness."
"As poor whites began to enjoy more of the privileges of whiteness, symbols of the slaveholders’ crusade came to represent general whiteness."
Jon Lewis-Katz reviews Jacqueline Woodson's "Another Brooklyn."
Olivia Durif reviews Meaghan Day’s book about Tonopah, Nevada.
Eka Kurniawan’s “Vengeance Is Mine, All Others Pay Cash” is a deeply ambitious book that can’t help but be funny.
Max Holleran reviews “The House of Government: A Saga of the Russian Revolution” by Yuri Slezkine.
Alex Lichtenstein reviews two new books on the Marikana Massacre.
Désirée Zamorano reviews “Murder on the Red River” by Marcie R. Rendon.
On the 50th anniversary of the Newark riots, our reviewer remembers the most important book to come out of the event that you’ve never heard of.
Tess McNulty reviews Madeleine Bourdouxhe's "La Femme de Gilles," recently republished by Melville House.
Holly Willis surveys three new books about what it means to be post-cinema.
Jacquelyn Ardam reviews a new critical study of cryptic modernist poet Mina Loy.
“Shadows and Tall Trees” has become one of the go-to venues for keeping abreast of the renaissance of weird fiction.
Michael Cholbi reviews “Near-Death Experiences: Understanding Visions of the Afterlife.”
Jill Filipovic’s latest rehearses the arguments we’ve heard before, but the stories of the women she interviews show the real power of feminist imagination.
Matthew Boswell reviews “Triptych: Three Studies of Manic Street Preachers’ The Holy Bible” and looks back on his own teenage obsession with the band.
Melynda Fuller appreciates “A Twenty Minute Silence Followed by Applause,” an extended essay on Marcel Marceau by Shawn Wen.