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That’s Nature for You
Annie Berke reviews Jenny Slate’s new motherhood meditation, “Lifeform.”
All Reviews
Not a Cautionary Tale
Sophia Stewart reviews Aaron Schimberg’s film “A Different Man.”
Capacious and Alive
Nadia Ghent reviews “The Uncollected Stories of Mavis Gallant.”
The Destabilizing Force of Language
Annie Lou Martin reviews Anna Moschovakis’s new novel “An Earthquake Is a Shaking of the Surface of the Earth.”
Science Fiction, Fantasy, and the End of Earnestness
Siobhan Maria Carroll reviews The Best American Science Fiction and Fantasy 2024, edited by Hugh Howey.
Helen, Writer of Her Own Myth
Nic Cavell reviews Maria Zoccola’s “Helen of Troy, 1993.”
Nettie in Pantherland
Mary F. Corey reviews Fabienne Josaphat’s new novel “Kingdom of No Tomorrow.”
Respecting the Waters
Jeremy Murray reviews three books on how the United States’ failure to ratify UNCLOS threatens global maritime order.
Jacking In to Cyberpunk
Stina Attebery and Joshua Pearson explore the “Cyberpunk: Envisioning Possible Futures Through Cinema” exhibition at the Academy Museum of Motion Pictures.
A Toxic Embrace
Aimee Hinds Scott reviews Robert Eggers’s remake of “Nosferatu.”
The Éowyn Mystique
Gerry Canavan reviews Kenji Kamiyama’s animated film “The Lord of the Rings: The War of the Rohirrim.”
Yelling “Fire” on a Crowded Knoll
Tom Zoellner considers a new history of the Kent State shootings by Brian VanDeMark.
Reclaiming Academic Freedom
Michael Meranze reviews David M. Rabban’s “Academic Freedom: From Professional Norm to First Amendment Right.”
Purely Carnal
Jourdain Searles considers Halina Reijn’s “Babygirl.”
The Evil That Lies Beneath
Cory Oldweiler reviews Russian author Sergei Lebedev’s novel “The Lady of the Mine,” translated by Antonina W. Bouis.
A Young Life Tragically Lost
Mark Athitakis reviews Lily Tuck’s novel “The Rest Is Memory.”
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