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Under the Table
Sam Bodrojan considers “Anora” and the emasculated sadism of Sean Baker.
All Reviews
Children in Flight and Women in Cages
Johanna Pelikan reviews “Lost Writings: Two Novels by Mina Loy,” edited by Karla Kelsey.
Talking Gets Us Nowhere
Ryan Hamilton reviews Disney+/Hulu’s series about the Troubles in Northern Ireland, “Say Nothing.”
Politics of the Blinding Light
Ximena Prieto reviews Vanessa Holyoak’s “I See More Clearly in the Dark.”
What Would Becky Buy?
Tom Zoellner considers Leah Payne’s “God Gave Rock and Roll to You: A History of Contemporary Christian Music.”
I’m Not Queer—I’m Disembodied
Maral Attar-Zadeh explores queerness, death, and desire in Luca Guadagnino’s adaptation of William S. Burroughs’s “Queer.”
Why Kill?
Manan Ahmed Asif considers Rollo Romig’s “I Am on the Hit List: A Journalist’s Murder and the Rise of Autocracy in India.”
Punching Below Weight
Ann de Forest reviews Paul Kahan’s “Philadelphia: A Narrative History.”
Drink, Thirsty One
Rebecca Schultz reviews Elsa Morante’s “Lies and Sorcery,” translated by Jenny McPhee.
Dissecting the Present
Arbaz M. Khan reviews Alan Moore’s “The Great When: A Long London Novel.”
Snowflakes That Start an Avalanche
Anjali Vaidya reviews Jeremy Brecher’s “The Green New Deal from Below: How Ordinary People Are Building a Just and Climate-Safe Economy.”
From Woke to Solidarity
Michael S. Roth reviews Musa al-Gharbi’s “We Have Never Been Woke” and James Davison Hunter’s “Democracy and Solidarity.”
They’ll Still Be Carding You
Benjamen Walker reviews Greg Barnhisel’s “Code Name Puritan.”
An Angry Book for an Angry Time
Gregory Daddis reviews Geoffrey Wawro’s “The Vietnam War: A Military History.”
More Than Life Itself
Tim Riley reviews a new 27-disc box set of live recordings by Bob Dylan and the Band.
More Complete, More Pleasurable, More Bearable
Carla Marcantonio writes about Pedro Almodóvar and adaptation in relation to his two new works: “The Room Next Door” and “The Last Dream.”
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