Queering Dance, at Last
Melissa Templeton on the new anthology “Queer Dance,” which, at long last treats the intersection of gender, sex, and choreography.
Melissa Templeton on the new anthology “Queer Dance,” which, at long last treats the intersection of gender, sex, and choreography.
Nathan Pensky on the late Denis Johnson's new short story collection.
On "The Pentagon’s Wars: The Military’s Undeclared War Against America’s Presidents."
Conservatives haven’t always worshipped the free market, and Donald Trump’s strange economics actually have historical grounding. Two new books show how.
Alyson Claire Decker on "You Don’t Own Me: How Mattel v. MGA Entertainment Exposed Barbie’s Dark Side."
Anna E. Clark unearths the fairy-tale force of “The Juniper Tree,” a late-career novel by Barbara Comyns.
Morten Høi Jensen weighs two takes on Darwin’s legacy.
Stamps can terrorize because while their materiality exists in time, like that of paintings, it also compacts it.
Bruce Robbins reads Merve Emre's "Paraliterary: The Making of Bad Readers in Postwar America."
“Race and Popular Fantasy Literature” offers a devastating case against fantasy.
Richard Blaustein evaluates “Impeachment: A Citizen’s Guide” by Cass R. Sunstein.
Lily Geismer on the second edition of Corey Robin’s “The Reactionary Mind.”
Désirée Zamorano reviews “Hollywood Homicide” by Kellye Garrett.
Josie Mitchell surveys “The Unmapped Country: Stories and Fragments” by Ann Quin.
Mary Rodgers reviews A. M. Bakalar’s unflinching yet ultimately compassionate second novel, “Children of Our Age.”
William Marling contemplates “Being Cool: The Work of Elmore Leonard” by Charles J. Rzepka.