A Historian’s Call to Arms
Anne Richardson reviews Mary Beard's "Women & Power: A Manifesto."
Anne Richardson reviews Mary Beard's "Women & Power: A Manifesto."
The first volume of Alessandro Spina’s magnum opus speaks uncomfortably to our current moment.
On Tim Crane's "The Meaning of Belief: Religion from an Atheist’s Point of View."
Robert Zaretsky on the correspondence between Albert Camus and Maria Casarès.
Colin Vanderburg on Brent Hayes Edwards’s “Epistrophies: Jazz and the Literary Imagination.”
What can Bruce Springsteen's and Prince's personal photographers tell us about their subjects?
Scott Bradfield on Clark Ashton Smith.
On “The Wife” by Alafair Burke.
Republican National Committeeman Shawn Steel reviews political operative Arnold L. Steinberg's "Whiplash! From JFK to Donald Trump, a Political Odyssey."
Do Christianity and liberalism have a future together in the United States? Brad East looks at two new books to find out.
Dan Falk reviews two new books on the cause of creativity.
A. M. Juster evaluates “Anecdotal Evidence,” the latest collection of poems from Wendy Cope.
Dustin Friedman on Gregory Woods’s “Homintern,” a study of how homosexuals and queer culture shaped the modern world.
The dark absurdities of postwar Iraqi literature.
Stephen J. Gallas reviews "The Audacity of Inez Burns: Dreams, Desire, Treachery & Ruin in the City of Gold."
Heidi North discovers a rich, gripping story in Craig Cliff’s New Zealand–set debut, “The Mannequin Makers.”