Present at the Destruction: Humanity’s Success in Ruining Nature
This unholy alliance of producers, consumers, and parochially focused governments is sleepwalking the Earth off the climate cliff. On "The Water Will Come."
This unholy alliance of producers, consumers, and parochially focused governments is sleepwalking the Earth off the climate cliff. On "The Water Will Come."
Jonathan Blake surveys several recent works on the refugee crises.
Patrick Kurp on “The Day Will Pass Away: The Diary of a Gulag Prison Guard: 1935-1936” and “Stalinist Perpetrators on Trial.”
Lori Feathers takes the measure of “Asymmetry” by Lisa Halliday.
L. A. Johnson reviews Lisa Russ Spaar’s “Orexia.”
A recent book on a famous 2010 mass shooting in the United Kingdom.
A memoir from the co-founder of the Black Lives Matter movement.
Michele Currie Navakas’s “Liquid Landscape” convincingly demonstrates that Florida has always compromised master narratives of US nationalism.
Karen Karbo tries to review "You Play the Girl" by Carina Chocano.
What duties do black citizens owe to a biased “justice” system?
Will Clark explores “The Ethics of Opting Out” as an introduction to key debates in contemporary queer theory and a path to a more engaged queer politics.
The American fetish for firearms goes back to the nation’s genocidal roots, a new book argues.
Rachel Ballenger dwells in “The Iliac Crest,” a novel by Cristina Rivera Garza, translated by Sarah Booker.
Heather Treseler reviews B. K. Fischer’s “Radioapocrypha.”
Safiya Umoja Noble’s “Algorithms of Oppression” explores how racial bias informs and shapes the very platform we laud as radically democratizing.
Amanda Dennis cracks open “Samuel Beckett Is Closed” by Michael Coffey.