The Dichotomy of Remembrance: Négar Djavadi’s “Disoriental”
Azarin Sadegh reviews Négar Djavadi's debut novel.
Azarin Sadegh reviews Négar Djavadi's debut novel.
Eileen Battersby reviews “Flights,” a novel by Olga Tokarczuk, translated from the Polish by Jennifer Croft.
Ron Slate appreciates the “fearful verve” of “Days of Smoke,” a new novel by noir expert Woody Haut.
Christopher Janigian reviews “Austerity Measures: The New Greek Poetry.”
Despite its brevity, Hanne Ørstavik's "Love," effectively rendered into English by Martin Aitken, demands and deserves total concentration.
On Kathleen Belew's "Bring the War Home: The White Power Movement and Paramilitary America."
How the word “pogrom” became one of the surprisingly few Russian words that have ever made it into English.
Lisa Russ Spaar takes a second look at second books by poets Gabriel Fried and Tomás Q. Morín.
Douglas Smith on “Memory Laws, Memory Wars,” by Nikolay Koposov, which “makes clear the dangers in trying to legislate our understanding of the past.”
Glyn Morgan on Ann Leckie's "Provenance."
Avedon and Baldwin on American mass culture, white supremacy, love, and solidarity.
Consciousness is embodied, enacted, and extended. “The mind” can't be cut off from our corporeal existence in the world and our interactions with it.
Suzanne Lummis reviews Lynn Emanuel’s “The Nerve of It.”
On David E. Cooper's "Senses of Mystery: Engaging with Nature and the Meaning of Life."
Kicking off a YA series about a New Jersey princess (a real one).
A book that demystifies the fairy tales France tells about itself.