Small-Town Tragedy, Big-Time Resentments
With subtlety, Susan Henderson attempts to understand, deconstruct, and empathize with small-town America.
With subtlety, Susan Henderson attempts to understand, deconstruct, and empathize with small-town America.
D. Berton Emerson on Carrie Tirado Bramen’s “American Niceness: A Cultural History”
Readers can feel confident following Stephen Graham Jones into the dark and obscure landscapes of his fiction.
Chris Yogerst on Bob Batchelor's recent biography of the comic book legend.
Joshua W. Jackson reviews David Wanczyk's "Beep: Inside the Unseen World of Baseball for the Blind."
Jacquelyn Ardam reviews Michelle Dean’s “Sharp: The Women Who Made an Art Out of Having an Opinion.”
Thomas J. Millay finds Julian Barnes’s “The Only Story” a perplexing, profoundly enjoyable story about the phenomenology of love.
Cathy Otten’s new book tells the tragic story of the Yezidi women taken captive by ISIS.
A. M. Bakalar reviews “Society for the Prevention of Cruelty to Animals,” a novella by J. R. Pick, translated from the Czech by Alex Zucker.
Colin Dickey on Peter Sahlins’s “1668: The Year of the Animal in France”
While traveling in Texas, Aisha Sabatini Sloan takes in the culture and Zadie Smith’s “Feel Free.”
The prose in Rodrigo Fresán’s “The Bottom of the Sky” bristles with energy.
It’s not your mother’s feminism in Therese Bohman’s “Eventide.”
A multifarious portrait of a giant South Asian city.
André Naffis-Sahely reviews “The Complete Poetry of Aimé Césaire,” edited by Clayton Eshleman and A. J. Arnold.
Meg Wolitzer’s “The Female Persuasion” is a work of imagination and intelligence.