Melancholic Mythologies: “Half Gods” and the “Mahabharata”
In “Half Gods,” Akil Kumarasamy renders slow-moving pictures of Sri Lankan grief that unspool over the course of the collection.
In “Half Gods,” Akil Kumarasamy renders slow-moving pictures of Sri Lankan grief that unspool over the course of the collection.
Ahmed Saadawi’s novel “Frankenstein in Baghdad” continues to win prizes for good reason: it is one of the best fictional accounts of the Iraq War yet.
Richard Sennett’s notion of an “open city” articulates how to achieve, or at least think about, the ethical city in the 21st century.
Lauren Sarazen reviews Tara Isabella Burton's Patricia Highsmith–esque novel, "Social Creature."
A book on the rise and fall of American cemeteries.
The gripping horror of Aimee Molloy’s “The Perfect Mother” lies in showing us the demons of motherhood in broad daylight.
A lyrical new book on disappearing shorelines connects science to the personal.
Allegra Huston’s debut novel is suffused with sensual feeling.
Justin Tyler Clark reads the funny, frightening "Live Work Work Work Die."
As part of a comprehensive guide to Christa Wolf’s often controversial literary history, "Eulogy for the Living" provides a perfect starting point.
"Powers seems more inclined toward over-regulation and order even as he’s trying to tell a story of disorder." On "A Shout in the Ruins."
An author takes a road trip across Haiti to understand the blowback from good intentions.
“Luna: Wolf Moon” reminds us that space-utopianism based on imperial or neoliberal ideals will not escape the gravity well of such dystopian foundations.
Nathan Scott McNamara reviews Helen DeWitt’s collection “Some Trick,” where we are granted access to 13 more of her mad performances.
Robert Allen Papinchak reviews “Noir” by Christopher Moore.
As Ehrenreich finds, not only is the science of wellness dubious, but its systems of self-control (like dieting) also reify class and gender hierarchies.