The Author Is Not as Dead as Claimed
Robert Dasaler reviews “The Varieties of Authorial Intention: Literary Theory Beyond the Intentional Fallacy” by John Farrell.
Robert Dasaler reviews “The Varieties of Authorial Intention: Literary Theory Beyond the Intentional Fallacy” by John Farrell.
Mary F. Corey reviews “City of Inmates” by Kelly Lytle Hernández, a historical account of mass incarceration and genocide in Los Angeles.
Tanya Agathocleous reviews “Tact: Aesthetic Liberalism and the Essay Form in Nineteenth-Century” by David Russell.
Sara Lippincott parses theoretical physicist Freeman Dyson's "Maker of Patterns: An Autobiography Through Letters."
Nick Drnaso makes comics of acute psychological realism that approach their subjects from an almost anthropological remove.
Alain Guiraudie’s novel is perhaps more disturbing than his films, but Alex Wermer-Colan finds the queer cross-generational love story at its center.
A new book on the poetics of soccer as lived experience.
Alice Stephens finds Rumaan Alam’s “That Kind of Mother” a thoughtful look at the good, the bad, and the ugly of transracial adoption.
What Phillips really captures in “A View of the Empire at Sunset” is not so much Jean Rhys’s voice, but her eerie way of being in the world.
"Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds" can remind scientists and engineers to proceed with caution.
In his new translation, David Bentley Hart presents the New Testament as a choir, rather than the work of a soloist.
Greg Barnhisel reviews “Smoketown: The Untold Story of the Other Great Black Renaissance.”
Have we been here before? Bryan Wisch reviews Jon Meacham's "The Soul of America: The Battle for Our Better Angels."
Despite its missteps, Hummel’s art-world thriller “Still Lives” is a compelling read.
Achieving equity in TV isn’t just about being fair — it’s about accessing new and better stories to elevate television for everyone.
How an idealistic defense intellectual concluded that democracy is often its own worst enemy.