A Voice from the Caucasus: On Alisa Ganieva’s “Bride and Groom”
Yelena Furman reads “Bride and Groom,” a novel by the Dagestani author Alisa Ganieva, translated from the Russian by Carol Apollonio.
Yelena Furman reads “Bride and Groom,” a novel by the Dagestani author Alisa Ganieva, translated from the Russian by Carol Apollonio.
Lisa Russ Spaar takes a second look at second books by poets Charles Simic and Jacob Shores-Argüello.
A newly translated compendium of Machado de Assis’s short fiction proves him to be an undisputed master of the form.
On the seriousness of play and the weirdness of “The Nutcracker.”
Alex Niven reviews Tom Pickard’s “Fiends Fell.”
Joanna Walsh’s latest work of autofiction uses the ghosts of the immediate past to examine the long game of life.
“An essay is a venture, an attempt. It proposes not the Q.E.D. of arrival but ongoingness, forward motion.” Sven Birkerts on “The Art of the Wasted Day."
How did the 19th-century Catholic Church, in all its anti-modern grandeur and opulence, beget the 21st-century Church we see today?
Nicholas Utzig reviews “The Flying Tigers,” a historical work by Sam Kleiner.
Joshua Glick's "Los Angeles Documentary" is an encouragement to engage, now, with documentaries being made at the grassroots level by activist filmmakers.
"The Beneficiary" is not invested simply in exposing liberal American hypocrisy. Instead this is a study of the uneasy place we live intellectually.
Eric Gade reviews “Surveillance Valley,” about military funding and surveillance use in the early years of the internet.
Lynne Sharon Schwartz praises “For Single Mothers Working as Train Conductors,” a collection of personal essays by Laura Esther Wolfson.
Jim Crace’s “The Melody” sings a haunting refrain of enduring love.
On “Our Kind of Cruelty” by Araminta Hall.
André van Loon reviews Eric Beck Rubin's debut novel, "School of Velocity."