The Dialectic Lurking Behind the Brutality
Ieva Jusionyte digs into Greg Grandin’s “America, América: A New History of the New World.”
Ieva Jusionyte digs into Greg Grandin’s “America, América: A New History of the New World.”
Esther Allen reviews Greg Grandin’s “America, América: A New History of the New World.”
Heather Cass White considers David Szalay’s latest novel, “Flesh.”
Jessie Lau ponders Emily Feng’s “Let Only Red Flowers Bloom: Identity and Belonging in Xi Jinping’s China.”
Vanessa Evans reviews the new critical anthology “Global Indigenous Horror,” edited by Naomi Simone Borwein.
Michael Knapp reviews “The Voices of Adriana” by Elvira Navarro, translated by Christina MacSweeney.
Godelieve de Bree considers Hasib Hourani’s “rock flight.”
Matthew K. Ritchie considers Carson Lund’s “Eephus” and the feeling of being washed-up.
While looking at three recent books, physician Luke Messac explains why the public has legitimate reasons to distrust our healthcare system.
Elizabeth Alsop considers the third season of “Yellowjackets.”
Valerie Duff-Strautmann reviews Srikanth Reddy’s “The Unsignificant.”
Cory Oldweiler reviews Ecuadoran author Natalia García Freire’s new novel, “The Carnival of Atrocities,” translated by Victor Meadowcroft.
Aaron Labaree reviews Vincenzo Latronico’s novel “Perfection,” translated by Sophie Hughes.
Evan Selinger reads Darryl Campbell’s “Fatal Abstraction: Why the Managerial Class Loses Control of Software” with the realities his students face in mind.
Sarah McEachern reviews Jon Hickey’s debut novel “Big Chief.”
Heather Treseler reviews John Koethe’s new collection “Cemeteries and Galaxies.”