The Astronomy of Melancholy
Arnaud Gerspacher considers “Sad Planets” by Dominic Pettman and Eugene Thacker.
Arnaud Gerspacher considers “Sad Planets” by Dominic Pettman and Eugene Thacker.
Evan Hill finds himself mired down in Alex Garland’s “Warfare.”
Ikechúkwú Onyewuenyi attends an exhibition of Bruce Nauman’s early work, at Marian Goodman Gallery in Los Angeles.
Anne Anlin Cheng looks deeper into Ryan Coogler’s new film “Sinners” and its violent exploration of racial oppression.
Kieran Setiya reviews Christoph Schuringa’s “A Social History of Analytic Philosophy.”
Isabelle Stuart examines Megan Hunter’s new novel, “Days of Light.”
Sophie Lewis considers Keiran Goddard’s “I See Buildings Fall Like Lightning.”
Doyle D. Calhoun visits “Black Paris: Artistic Circulations and Anti-Colonial Struggles, 1950–2000” at the Centre Pompidou.
L. Benjamin Rolsky explores Quinn Slobodian’s “Hayek’s Bastards: Race, Gold, IQ, and the Capitalism of the Far Right.”
Guobin Yang dives into two new books on Mao-era China.
Andrew Koenig considers Elisha Cohn’s “Milieu: A Creaturely Theory of the Contemporary Novel.”
Joel Seligman discusses Stephen H. Legomsky’s radical call for restructuring the American republic.
Susan Blumberg-Kason reviews recent books about the aftermath of China’s one-child policy and the experience of women in contemporary China.
Cy Twombly was all over New York and Dean Rader was there to see it.
Chris Featherman looks at Marlène Laruelle’s “Ideology and Meaning-Making Under the Putin Regime.”
Joshua D. Rothman reviews Zaakir Tameez’s biography “Charles Sumner: Conscience of a Nation.”