Sneering at, or with, “The White Lotus”
Kyle Stevens examines the farce at the heart of the third season of HBO’s “The White Lotus.”
Kyle Stevens examines the farce at the heart of the third season of HBO’s “The White Lotus.”
In this second of a two-part essay, Jonathan S. Blake considers two more recent books on the political rights of nonhuman beings.
Leo Lasdun examines Lydia Millet’s “Atavists.”
Greg Barnhisel reviews “Power Metal: The Race for the Resources That Will Shape the Future” by Vince Beiser.
Sarah Yanni considers Rosie Stockton’s new book of poems, “Fuel.”
Cory Oldweiler considers German author Franziska Gänsler’s debut novel, “Eternal Summer,” newly translated by Imogen Taylor.
Kai Maristed reviews the new translation of Austro-German author Daniel Kehlmann’s 2023 novel “The Director,” translated by Ross Benjamin.
Bathsheba Demuth reviews Ferris Jabr’s “Becoming Earth: How Our Planet Came to Life.”
In this first of a two-part essay, Jonathan Blake considers recent books on the political rights of nonhuman beings.
Melina Moe considers Amanda Jones’s “That Librarian: The Fight Against Book Banning in America.”
Mary Kay Magistad investigates Connla Stokes’s “Falling for Saigon.”
Danielle Chelosky reviews Constance Debré’s “Name,” translated by Lauren Elkin.
Maddalena Poli explores the new series from Oxford University Press, Hsu-Tang Library of Classical Chinese Literature.
B. K. Fischer reviews Maggie Nelson’s “Pathemata, or The Story of My Mouth.”
Ian Ellison considers Sebastian P. Klinger’s “Sleep Works: Experiments in Science and Literature, 1899–1929.”
Jenna N. Hanchey explores the recent anthology “Afro-Centered Futurisms in Our Speculative Fiction,” edited by Eugen Bacon.