Capitalism Is a Mental Illness: “Hustlers,” “The Known World,” and a Failed TV Project
Annie McGreevy on “Hustlers,” Edward P. Jones’s “The Known World,” a failed TV project, and the hustles that sustain us under capitalism.
Annie McGreevy on “Hustlers,” Edward P. Jones’s “The Known World,” a failed TV project, and the hustles that sustain us under capitalism.
A poem by Malcolm Tariq
Jay Neugeboren recounts his time as an American antiwar activist in the 1960s and contemplates his current standing as an activist in modern-day America.
Constance Valis Hill reviews Bat-Sheva Guez’s hypnotic new dance film.
A conversation between poets John James and Christopher Kondrich.
Eunsong Kim considers Dread Scott’s "Lockdown" (2000–2004) and Gaye Chan’s "Historic Waikiki" (2001).
Megan Ward looks at the 2018 film “Museo,” starring Gael García Bernal, and contemporary debates around museum repatriation and cultural memory.
Emily Hodgson Anderson on the promises and perils of reading aloud.
What does the central role of literary disinheritance in Beckett's work teach us about those who voted for Brexit?
The teen film “Adam” turns complex issues of trans visibility into a vacuous sex farce.
LARB presents the October installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
The rebuilding of destroyed mosques is Bosnia is one part of a long project of genocide prevention.
Jorge Cotte explores the queasy, wobbly, ethically ambiguous experience of being close to the billionaire children of HBO's Succession.
Joe Osmundson lyrically deploys circuit metaphors to describe how new anti-virals are re-wiring the gay dance circuit in post-AIDS New York.
Hired to write stories alongside an AI writing bot, neuroscientist Patrick House reflects on how the bot can — and can’t — write the same story that he can.
Alex Weintraub reviews "Ad Astra."