Discoveries: Franzen, Beachy-Quick, & Baldwin
On 'Farther Away,' 'Wonderful Investigations,' and 'Paris, I love you...'
On 'Farther Away,' 'Wonderful Investigations,' and 'Paris, I love you...'
The inevitability of politics.
All thriller, no filler
On the lost humanism of Renaissance portraiture
What American publication means to Australian writers
The best faeries ever.
On 'love, drugs, madness, betrayal, self-deception, and youthful ambition.'
A unique record of Barthes’s failure to offer a portrait of China.
On Javier Marías and the sources of identity in our times
A new literature for a new age, the 'Age of Man'
On 'love, drugs, madness, betrayal, self-deception, and youthful ambition.'
Ray Bradbury up close and personal.
“He was afraid neither of overripe sentimentality nor of despairing bleakness.”
Bradbury addresses every reader with a fatherly clarity. He’s instructive, in the profound sense of passing experience on.
"He transcended genre and became a genre of one; often emulated, absolutely inimitable."
On 'love, drugs, madness, betrayal, self-deception, and youthful ambition.'