I Was Determined to Remember: Harriet Jacobs and the Corporeality of Slavery’s Legacies
Koritha Mitchell discusses her research for a scholarly edition of Harriet Jacobs’s “Incidents in the Life of a Slave Girl.”
Koritha Mitchell discusses her research for a scholarly edition of Harriet Jacobs’s “Incidents in the Life of a Slave Girl.”
Stacy M. Hartman and Bianca C. Williams call for a radical reimagining of the project of graduate education.
Bharat Jayram Venkat explores the history of how the business suit became the unit of measurement for heat, in an excerpt from LARB Quarterly, no. 37: Fire.
Historian of science Sandra Eder shows how the word “gender” burst out of the clinic circa 1970 and went rogue.
Melissa Lo considers the link between Cartesian mind-body dualism and the “model minority” identity.
In a preview of LARB Quarterly's upcoming issue, Earth, Laura Nelson explores the Llano del Rio failed commune experiment in the California desert.
J. D. Connor reflects on the seemingly endless mutability of the Super Mario Bros. franchise.
Michael Docherty on what Malcolm Harris’s history of Palo Alto owes to Mike Davis’s histories of Los Angeles.
Kate Fortmueller explains the deep roots of the latest WGA strike.
Alexander Manshel, Laura B. McGrath, and J. D. Porter discuss the economics and aesthetics of audiobooks.
Priyanka Kumar writes that the Recovering America’s Wildlife Act is essential to preserving not only the monarch butterfly but also biodiversity itself.
The team behind “Mothers of Sierra Leone” explains the shortcoming of “consciousness raising” in global maternal healthcare and examines how their documentary shorts provide useful films for the women of Sierra Leone.
Jemimah Steinfeld presents excerpts from a compelling personal essay by Nariman Dzhelyal, a Crimean Tatar activist who is currently a political prisoner in Russian-occupied Crimea.
Anders Engberg-Pedersen asks what happens when the military imagines war as an art.
Jasmine Liu visits Princeton University Library’s exhibition of Toni Morrison’s archive.
Jeffrey Binder uses the rise of ChatGPT to explore the backstory of our unease with artifice.