Recognizing Complicity
"Modernism was not an idea, not a singular and well-formed position. The multiplicity and heterogeneity of its dimensions have to be addressed."
"Modernism was not an idea, not a singular and well-formed position. The multiplicity and heterogeneity of its dimensions have to be addressed."
On Miroslav Slaboshpitsky's film 'The Tribe'
That a public man such as Thomas Cromwell can be understood so differently by writers acting in good faith is due to a number of factors: his distance from us in time, our incomplete record of his correspondence, the nature of politics, and the nature of observation.
Tom Lutz's interview with legendary poet Nikki Giovanni, a discussion of Kim Gordon's memoir "Girl in a Band," and much more.
Woody Haut looks back on the life and career of Daniel Fuchs.
The story of Henry VIII and Anne Boleyn has been told and retold from hundreds of angles. So why did Hilary Mantel’s version catch fire?
A reflection on war literature 40 years after the Fall of Saigon.
On the parallels between the way the Pope and the "Chairman of Everything" have been framed as public figures.
Not Safe For Work: Mad Men's Art of Cursing
Cersei Lannister’s Last F–ckable Day
In Machado's stories, form is uncanny, sly, a pool of raindrops, a slightly skewed face in the mirror.
UC Berkeley’s Free Speech Movement, 50 years on.
Part 3 of a 3-Part Series
Part 2 of a 3-Part Series