How to Be Together: On Andrew Haigh’s “45 Years”
"45 Years" shows the difficulty of being present with someone you know.
"45 Years" shows the difficulty of being present with someone you know.
"Art, AIDS, America" at the Tacoma Art Museum, October 3, 2015 to January 10, 2016
Wishful thinking is the essence of Barack Obama’s Syria policy.
The Vietnam War was one of many influences on George Lucas as he created his landmark space epic.
Polyester, a 1981 "Odorama" film, demythologizes the movie theater setting by deranging its typical absorptive address.
A reinvented Los Angeles River could act as both an urban spine and civic plaza, organizing and linking the communities it crosses.
Marysia Jonsson and Aro Velmet review "Crimson Peak."
Jacob Mikanowski on the Coen Brothers and FX's Fargo
On musician Amir ElSaffar and the lost art of the maqam
If the book is an endangered species, then so are its margins.
On the poem "Long Live Silence" by Meena Kandasamy.
The issue, then, is whether serious scholars writing about famous authors — Melville and Hawthorne — can reasonably deign to take dick jokes as evidence.
Dr. Ben Carson just ain’t the phenomenon he was a few weeks ago.
The influence of street gang culture on art in Los Angeles has been systematically underrepresented by academia and art history.
How do we make sense of the ways in which Ugandan women's bodies and nonconforming sexualities are subject to violence and even death?