Magritte in Koreatown
Bonnie Johnson on the history and legacy of LA's iconic Brown Derby restaurants.
Bonnie Johnson on the history and legacy of LA's iconic Brown Derby restaurants.
"Carol" is unique among Haynes’s films in that it invites us to witness an intimacy that others have failed to notice.
"Sicario" and "Cartel Land" both come across as strangely unaware of and unconcerned with the actual historical context of the drug wars.
On the many hands of Robert Walser.
In its battle to win the hearts and minds of the world, the Chinese state is aggressively tapping cinema, Hollywood or Chinese, to do its soft power bidding.
Oscar López Rivera is undeservedly the most obscure of American political prisoners.
If you manage to see nothing after viewing "The Assassin," you have indeed understood the something that the film seeks to convey.
The first time you hear your beloved 10-year-old say motherfucker: well, on that day something changes. Why does it disturb us so?
Writing is the tool I use to communicate, Mr. President, not the gun. I am throwing the gun you're trying to slip into my hand back to you.
On Miguel Cano, the second-to-last man killed by the LAPD in 2015
"Trumbo" may or may not be the first Hollywood movie about the Hollywood unions, but it is certainly the first biopic of a screenwriter.
The Kashmir conflict is as much a battle of narratives as it is a fight over territory.
"Cincinnati Goddamn" retraces Cincinnati's 2001 race riots.
My hospital — in fact, my entire university — has a new research mission: precision medicine.
Science, or science fiction? Is it a distinction worth making?