Feminisms in Motion: A Conversation with Jessica Hoffmann and Daria Yudacufski
M. Buna speaks to Jessica Hoffmann and Daria Yudacufski, co-editors of “make/shift” magazine and of “Feminisms in Motion.”
M. Buna speaks to Jessica Hoffmann and Daria Yudacufski, co-editors of “make/shift” magazine and of “Feminisms in Motion.”
A great flamenco artist explores the Afro-Caribbean roots of his art.
Teow Lim Goh uncovers the ongoing effort by scholars and poets to preserve the Chinese immigrant experience at Angel Island through its lost poetry.
The intentions of authors still matter, no matter what the critics say.
A response to Kevin Hart's review of "Richard Kearney’s Anatheistic Wager" and "The Art of Anatheism."
“Two Catalonias” makes no mention of the Spanish Civil War, an elision that is representative of Spain’s refusal to contend with the war’s lasting effects.
"Roma" is a movie made to appease the ruling class: fawning in its praise of power, it dead-ends at an image that literally deifies servitude.
Aaron Poochigian’s version of “Bacchae” is colloquial enough to be clear, but not too clear: if it weren’t a bit odd, it wouldn’t be Euripides.
"Mack the Knife — Brecht’s Threepenny Film" is part-biopic, part-homage, part-metacinematic staging of a film that shouldn’t actually exist — but now does.
The powerful multimedia legacy of the late AIDS activist and artist.
Carmine Grimaldi dives into "Everything Is Connected: Art and Conspiracy," at the Met Breuer until January 6, 2019.
Timothy Aubry responds to Jean-Thomas Tremblay’s LARB review of his “Guilty Aesthetic Pleasures” (December 12, 2018).
"The Favourite" reminds us that the court isn't a primitive version of modern political power but an altogether different institution.