A Season Underground: "Russian Doll" and Mental Illness
Peli Grietzer considers the rallying murmur of Russian Doll's revolutionary representation of mental illness.
Peli Grietzer considers the rallying murmur of Russian Doll's revolutionary representation of mental illness.
Alex Weintraub evaluates the Met's "Camp: Notes on Fashion," which has an "approach to fashion [that] is, ultimately, a self-defeating one."
Dear Television's Aaron Bady, Sarah Mesle, and Phil Maciak reluctantly celebrate all the characters who survived "The Long Night," they guess.
“Peele wants to make clear just how long a nation can delude itself about what’s real.” Sarah Wasserman and Kinohi Nishikawa review “Us.”
What the late Stanley Cavell’s memoir tells us about his philosophy.
"A kind of emptiness makes the green spaces of The Spheres feel more like a branding move on Amazon’s part than a facility to be used by actual workers."
Laurie Winer reviews several plays currently on Broadway, including "Hadestown," "To Kill a Mockingbird," and "My Fair Lady."
Taylor Larsen interviews Michele Filgate and Dylan Landis about their new anthology, "What My Mother and I Don’t Talk About."
Seth Lerer reflects on a lifetime of teaching the history of the English language.
What Mr. Rogers can teach us about the radical feminism of Andrea Dworkin.
Kyle Turner on how queer dating and hookup app Grindr has changed LGBTQ cinema.
What can Alexandria Ocasio-Cortez's anti-fandom tell us about today's politics.
Dear Television's Aaron Bady and Sarah Mesle talk about all the listening and learning going on in "A Knight of the Seven Kingdoms."
On the 120th anniversary of the birth of Vladimir Nabokov, Maxim Shrayer recalls his visit to Montreux, where he spoke to Dmitri Nabokov before his death.
Tim Groenland on the history and shifting role of the literary editor.
Ben Ratskoff reviews Iraqi-Jewish artist Eliyahu Fatal’s 2018 exhibition in Los Angeles.