On Giving Up
In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work.
In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work.
Kristen Malone Poli examines the true hunger at the heart of the divorce plot.
In an excerpt from LARB Quarterly no. 41, “Truth,” Sam Sax presents lore so uncanny, it might as well be real.
David Lewis reviews the new anthology “Dark Soil: Fictions and Mythographies,” edited by Angie Sijun Lou.
Lucy Hornby discusses two recent biographies about former Chinese leaders Zhou Enlai and Hua Guofeng.
Brandon Sward wades through spectral sports audio in search of that yummy-yum at Paul Pfeiffer’s retrospective at MOCA’s Geffen Contemporary.
James Ciano reviews Catherine Barnett’s “Solutions for the Problem of Bodies in Space.”
In an excerpt from LARB Quarterly no. 41, “Truth,” Peter Holslin reflects on synthesizer drones, inoffensive ambience, and his father’s affinity for New Age soundscapes.
Adam Fleming Petty reviews Lucas Mann’s “Attachments: Essays on Fatherhood and Other Performance,” rooting his analysis in his personal experience.
Margo Steines reviews Lucas Mann's “Attachments: Essays on Fatherhood and Other Performances.”
Sarah Yanni talks with Michelle Tea about her new anthology “SLUTS.”
Diana Heald reviews Suzanne Scanlon’s “Committed: On Meaning and Madwomen.”
Joseph A. McCartin reviews “The Hammer: Power, Inequality, and the Struggle for the Soul of American Labor.”
Jessica Rizzo reviews David Bellos and Alexandre Montagu’s “Who Owns This Sentence? A History of Copyrights and Wrongs.”
Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle.”
In an excerpt from LARB Quarterly no. 41, “Truth,” writer Rachel Cusk and filmmaker Ira Sachs discuss his new film “Passages,” his oeuvre, and the creative process.