A Queer Vision of Old Hollywood
Medaya Ocher and Eric Newman speak with author Patrick Nathan about his latest novel, and this month’s LARB Book Club pick, “The Future Was Color.”
Medaya Ocher and Eric Newman speak with author Patrick Nathan about his latest novel, and this month’s LARB Book Club pick, “The Future Was Color.”
Carey Mott reviews Sean H. Vanatta’s “Plastic Capitalism: Banks, Credit Cards, and the End of Financial Control.”
Paolo Musso believes the work of an open-minded, bighearted scientist like Marcelo Gleiser is of paramount importance to our future.
T. M. Brown reviews Andy McCullough’s “The Last of His Kind: Clayton Kershaw and the Burden of Greatness.”
Ishani Chokshi reviews Yxta Maya Murray’s latest book, “We Make Each Other Beautiful: Art, Activism, and the Law.”
Alina Stefanescu reviews Patrick Nathan’s “The Future Was Color” …
Mala Chatterjee reads Alexander Kriss’s “Borderline: The Biography of a Personality Disorder” in the context of her own borderline diagnosis.
Grace Byron explores J. D. Salinger’s literary and personal legacies through the lens of “Hapworth 16, 1924.”
Daniel Swain reviews Michael Nott’s “Thom Gunn: A Cool Queer Life” …
On a vampire weeknight, only the Hollywood Sign was above Madeleine Connors at the Bowl as she swooned over Ezra Koenig and friends.
Evan Grillon reviews Percival Everett’s “James.”
Michael Scott Moore assesses the legacy of the Russian surrealist Vladimir Sorokin.
Lily Felsenthal and Debbie Ou interview Miranda July about her novel “All Fours.”
Alma Igra illustrates how, through the scrupulous caloric management of Gaza, Israel and the international community have weaponized food.
Jim Coby reviews Paul Tremblay’s “Horror Movie.”
David Alff reviews Megan Kimble’s “City Limits: Infrastructure, Inequality, and the Future of America’s Highways.”