Chloe Martinez’s “The open door”
In an excerpt from LARB Quarterly no. 41, “Truth,” Chloe Martinez presents a new poem about what happened, what could have happened, and why it all matters.
By Chloe MartinezMay 28, 2024
![Chloe Martinez’s “The open door”](https://assets.lareviewofbooks.org/uploads/202404LARB41_D1_v2_Cover-scaled.jpg)
This is a preview of the LARB Quarterly, no. 41: Truth. Become a member to get this issue plus the next four issues of the LARB Quarterly.
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The open door
I’ve been looking for ways to make it
my fault. Parked too far from the curb.
Picked the wrong parking spot. Wrong time,
or day. Left the car door open too wide,
on a too-narrow street. Should have brought
more flavors of ice cream for the kids’
playdate, and should have been waiting
more patiently for danger, always. Truth is,
I felt fine. Parked well. Two flavors was plenty:
even one would be ice cream, would be happiness.
The street was spacious, the door open
a normal amount. A bright Saturday,
and in the park nearby, a game
of pickleball. Truth is, I should be furious
at the driver, who police later confirmed
was drunk, but she missed me, she missed
my children, and though she ripped
through the edge of the open car door
right behind my soft back as I bent over Saafia’s
car seat, unbuckling those tricky buckles,
the door bending back like a branch as she passed,
and though she wavered slowly down the street
as I screamed, then with a deliberation
that must have been panic but looked,
from where I stood, almost thoughtful, turned
the corner and kept going, she did not
so much as scratch us. Amina says she saw,
from the sidewalk, the driver’s effort, swerving
hard to avoid my body, and what depths that woman
was swimming in then and probably now
I don’t know, but didn’t she swim up
for a split second and didn’t she
save me, a perfect stranger, and isn’t that
a kind of miracle, really, a kind of victory?
LARB Contributor
Chloe Martinez is a poet and a scholar of South Asian religions. The author of the collection Ten Thousand Selves (2021) and the chapbook Corner Shrine (2020), she has work in Ploughshares, Poetry, Prairie Schooner, AGNI, and elsewhere.
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