“The End Is Where We Start From”: On Evan Kindley’s “Poet-Critics and the Administration of Culture”
Bradley Babendir reviews Evan Kindley’s “Poet-Critics and the Administration of Culture.”
Bradley Babendir reviews Evan Kindley’s “Poet-Critics and the Administration of Culture.”
Aaron Bady and Sarah Mesle for Dear TV ravenously consume two new hours of Star Trek: Discovery. What's the verdict? The present sucks.
Saying goodbye to the BLARB China Blog, and hello to the China Channel; plus, celebrating a double birthday.
Megan N. Liberty reviews Teju Cole's "Blind Spot."
Annie Buckley describes graduation from the Yearlong Certificate in Art and Creative Writing program at a prison in Chino, for "Art Inside."
Sixty years after Vance Packard’s “The Hidden Persuaders,” the persuaders are out in the open.
We fail precisely because we are so afraid of failure.
Charles Montgomery provides three recent books, including a funny and inventive graphic novel, on what it means to be a Korean.
An interview with Sepideh Salehi and Kamran Taherimoghaddam, creators of "Strappa," a short in the Farhang Foundation 9th Annual Short Film Festival.
John Scalzi’s “The Collapsing Empire” is one of the most important revisionist hyperspace narratives to come along in some time.
Deborah Blum’s new biography of anthropologist Margaret Mead poses questions about the ethical underpinnings of early fieldwork and the genre of biography.
Nathan Scott McNamara reviews Brigitte Findakly and Lewis Trondheim’s "Poppies of Iraq," about Findakly's middle-class childhood in Iraq.
Steve Paulson interviews author Amitav Ghosh on contemporary fiction’s failure to grapple with climate change.
Rob Goyanes on William E. Jones and Alexander Iolas.