Dwelling in the Upside Down: On “Stranger Things 2”
"Stranger Things 2" feels less like a tribute to old films, less nostalgic, and more a cautionary historical fiction focused sharply on the near future.
"Stranger Things 2" feels less like a tribute to old films, less nostalgic, and more a cautionary historical fiction focused sharply on the near future.
Adrian Nathan West presents his translation of an essay by the great Spanish prose writer Juan Benet (1927–1993).
Bassem Youssef, author of "Revolution for Dummies: Laughing through the Arab Spring," discusses how he became Egypt's most popular TV host before having to flee the country.
On sexuality as the link between knowing and being.
Andy Fitch interviews Margaret Ronda, author of "Remainders: American Poetry at Nature’s End."
A symposium on Madeleine L’Engle’s classic YA fantasy.
Houman Barekat questions “12 Rules for Life: An Antidote to Chaos” by Jordan B. Peterson.
Rewriting Kenneth Grahame’s classic children’s story.
JoAnna Novak reviews Eileen G'Sell's poetry collection "Life After Rugby."
Maya Caspari interviews Katja Petrowskaja about her book, “Maybe Esther: A Family Story.”
Linda Kinstler contemplates “Maybe Esther: A Family Story” by Katja Petrowskaja.
A Border Patrol agent writes about the futility of his job, but some of his dispatches hit home more than others.
Zoë Hu reviews Fatih Akin's revenge film "In the Fade," starring Diane Kruger.
Submissions are open for Les Figues Press 2018 NOS Book Contest, judged by Simone White.
Shoshana Olidort talks Wayne Koestenbaum about his new book, "Camp Marmalade."
Should the transition from British imperial power to American hegemony be seen as a model for the Chinese Century?