In Defense of Feeling: On Abdellah Taïa’s An Arab Melancholia
Thomas Patier writes on feeling in Abdellah Taïa’s “An Arab Melancholia.”
Thomas Patier writes on feeling in Abdellah Taïa’s “An Arab Melancholia.”
William Giraldi speaks with Daniel Baxter, author of “One Life at a Time: An American Doctor’s Memoir of AIDS in Botswana.”
Jeneé Darden interviews Jeanne Theoharis about her most recent book, "A More Beautiful and Terrible History ."
A distinguished history of energy innovations finds that collaboration and waste are the inevitable accompaniments.
Colin Marshall on the distinctive dialect of Korea's second-largest city, Busan.
Manuel de Pedrolo's "Typescript of the Second Origin" is a novel both born from and about politics: in particular, the politics of identity.
"Why does David Foster Wallace read differently to me now? Why am I ashamed of him? Maybe his work is limited in ways I didn’t see before." A DFW guy writes
A Pakistani-American author and activist on her new children’s book series, “Yasmin.”
George Estreich reads the anonymous NY Times op-ed "for what it is: an attempt to make a future excuse for the conduct of the entire Republican Party."
Tom Gallagher reviews Robert Kuttner's "Can Democracy Survive Global Capitalism?"
Martín Felipe Castagnet’s absorbing debut novel explores the unexpected consequences of technological immortality.
GD Dess probes the meaning of emptiness in the novels of Peter Stamm.
In her sly, layered novel “This Mournable Body,” Tsitsi Dangarembga forces the reader’s perspective toward both violence and its humane alternatives.
Michael Arceneaux discusses the first collection of his writing, the critically heralded "I Can't Date Jesus: Love, Sex, Family, Race and Other Reasons I've Put My Faith in Beyoncé."
Andy Fitch interviews Governor John Hickenlooper, author of "The Opposite of Woe: My Life in Beer and Politics."
Melody Schreiber talks toe Vanessa Hua about her debut novel, "A River of Stars."