Just a Draft on the Wall Might Interest Me: Talking to Michael Burkard
Andy Fitch talks to poet Michael Burkard about his poetry collections, old and new.
Andy Fitch talks to poet Michael Burkard about his poetry collections, old and new.
In "Frail Sister," Green’s elegant collaging of image and text makes for a compelling story that stands in for so many women’s lives cut short.
The poet laureate of Los Angeles on relearning language.
Robert Harrison talks with Stanford's expert on human desire, René Girard, whose work reached across disciplines to embrace anthropology, sociology, history, religions, and even the hard sciences.
Meredith Maran takes a look at Jill Soloway’s new memoir, “She Wants It,” which delves into the noted director and writer’s political awakening.
Gillian Jakab reviews Luca Guadagnino's remake of Dario Argento’s 1977 horror film, "Suspiria."
Adrian Van Young reviews “Transcription” by Kate Atkinson.
Dan Wakefield recalls his favorite year, spent with Eve Babitz in her city.
"Americus," saturated by emotional taboos and an overarching miasma of racism, reads as a mortician’s journal of an extended embalming.
Steven Wingate discusses the 2018 midterm elections with Ben Fountain, author of "Beautiful Country Burn Again."
In “Welcome to the Anthropocene,” Alice Major sets up the natural world as dominant over our knowledge of it.
Eloisa Morra unmasks the challenging nature of Anna Maria Ortese’s classic fiction-reportage hybrid “Neapolitan Chronicles.”
Caryl Emerson considers the legacy of the late Vladimir Sharov, whose novel “The Rehearsals” is now available in Oliver Ready’s translation.
Eleanor J. Bader interviews Leah Lakshmi Piepzna-Samarasinha about her book "Care Work: Dreaming Disability Justice."
Ross McElwain reviews "The Females" by German author and poet Wolfgang Hilbig, translated by Isabel Fargo Cole.
LARB presents an excerpt from “As a City on a Hill: The Story of America’s Most Famous Lay Sermon” by Daniel T. Rodgers.