Last Man: On Claire Denis’s “High Life”
"The film is not just about violence, the film is itself violent and the audience suffers this directly." Francey Russell on "High Life."
"The film is not just about violence, the film is itself violent and the audience suffers this directly." Francey Russell on "High Life."
Two recent books make the case that the birth of the sciences relied on a series of personal transformations and imaginative leaps.
Andy Fitch talks to Latinx queer filmmaker Armando Ibañez about his web series, "Undocumented Tales."
Tom Teicholz wades into “All Happy Families,” a “shimmering gem of a memoir” by Jeanne McCulloch.
Richie Hofmann considers “The Book of Ephraim” by James Merrill, annotated and with a new introduction by Stephen Yenser.
A debut collection of essays explores family, memory, space, and place.
Michael Tate reviews "Seven Terrors" by Selvedin Avdić.
Robin Kaiser-Schatzlein assesses Michael Lewis's "The Fifth Risk."
Morten Høi Jensen contemplates the fruitful sufferings of Nietzsche, as chronicled in recent books by Sue Prideaux and John Kaag.
"Many nations bet on America to show the way in different aspects of political life." Evan Mwangi describes how the US can improve minority representation.
Summer Kim Lee on representation, attachment, and being too close to Sandra Oh, from Grey's Anatomy to Killing Eve.
A British filmmaker and a Somali novelist explore migration, radicalization, and terror.
Joy Lanzendorfer considers the poetry and history of Angel Island.
Nina N. Yeboah reviews Brooke C. Obie's debut novel, "Book of Addis: Cradled Embers."
Looking back on 2018, LARB section editors select notable pieces.
Lindsay Turner considers “Orlando” by Sandra Simonds.