Who's the Baddie? Captain Marvel in the Age of American Empire
Who is Captain Marvel an allegory for?
Who is Captain Marvel an allegory for?
Isaac Nowell relishes “Shatila Stories,” a “hymn to life” written in the Shatila refugee camp in southern Beirut.
Katie Orphan follows the path of Jack Kerouac northward along California's winding coastline.
Francis Wade interviews James Meek, whose latest collection of essays, “Dreams of Leaving and Remaining,” explores the causes and consequences of Brexit.
David Breithaupt debriefs Duke Haney, author of “Death Valley Superstars: Occasionally Fatal Adventures in Filmland.”
Aaron Shulman tells a real-life family saga of modern Spain.
Marta Zarzycka examines the impact of ubiquitous, easy-to-use photo filters on our perception of reality.
Reading Frederic Tuten's "My Young Life," you’re aware of just how easily this might have been a dilettante’s memoir.
Elena Goukassian reviews Siri Hustvedt's new novel and discusses why it falls in the category of Trump-era political fiction.
Brian Glavey reviews Christopher Grobe’s “The Art of Confession:The Performance of Self from Robert Lowell to Reality TV.”
"Instead of bringing things together the new convenience separates us from them."
Ryan Chapman speaks to “Trump Sky Alpha” author Mark Doten about meme culture, narrative fragmentation, and the effects of historical trauma.
On the many adaptations of Jane Austen's writing.
Sunny Xiang reviews Anne Anlin Cheng's "Ornamentalism."
Maria Rybakova reviews Katherine Verdery's "My Life as a Spy: Investigations in a Secret Police File."
Witold Gombrowicz’s “Cosmos” is one of the great non-novels, or pseudo-novels, or reality-hungry books, or barely fictional narratives that we have.