The Mind Has a Mind of Its Own: On Maria Popova’s “Figuring”
Janet Sternburg sweeps through the innovative “Figuring” by Maria Popova.
Janet Sternburg sweeps through the innovative “Figuring” by Maria Popova.
Charles Taylor marvels over "Amazing Grace."
Carmen R. Valdez discusses complicity, fracture, and the psychological impacts of family separations on the US citizenry.
"Phillips has woven a sophisticated and powerful literary thriller." Randy Rosenthal reviews Julia Phillips's debut novel.
Louise Steinman finds solace and inspiration by reading Józef Czapski on Marcel Proust in Billings, Montana.
Dexter Fergie reviews Megan Black’s “The Global Interior: Mineral Frontiers and American Power.”
CBS’ "Blood & Treasure" tells a story about looted antiquities funding terrorism — but will telling this story lead to more destruction of the past?
For Dear Television, Aaron Bady and Sarah Mesle consider the new occupant of the Iron Throne and what got them there and ask, "But why, though?"
Naomi Hirahara talks to writer Cara Black about her Aimée Leduc series.
Xochitl-Julisa Bermejo sees herself in Nikki Darling’s “Fade Into You,” “an intimate view of a young, mixed-race Chicana living in the suburbs of L.A."
LARB presents an excerpt from “Sad by Design: On Platform Nihilism” by Geert Lovink.
Steve Lichtman reviews the week in politics and culture.
“This photo is about a lot of things, but one of its defining features is its heterosexuality.”
Katie Da Cunha Lewin reviews Sophie Mackintosh's "The Water Cure," a debut novel that is "underscored by a relentless unease."
Tom Zoellner talks to British-Ghanaian writer Nii Ayikwei Parkes about his new novel, "Tail of the Blue Bird."
In "Balkon," Pamuk relies on photography to provide context as well as archival evidence. The photographs become part of the process of writing.