“I Am Supposed to Look”: Linda Gregg’s Prolific Vision
Gabriel Fine reflects on the legacy and poetry of Linda Gregg.
Gabriel Fine reflects on the legacy and poetry of Linda Gregg.
Désirée Zamorano visits “Miracle Creek” by Angie Kim.
Courtney Angela Brkic finds the beautiful and the brutal in Josip Novakovich’s story collection “Honey in the Carcase.”
Diana Wagman thinks through motherhood, rebellion, and Jamaica Kincaid's short story "Girl."
Revisiting the primal scene — an Alabama concert.
Harrison Hill looks at Pete Buttigieg’s memoir, “Shortest Way Home,” to explore how Buttigieg’s campaign depends on his squeaky clean image.
Pete Buttigieg was a millennial who went home, but not because he needed to.
Afshan Jafar assesses the social complexity of sex appeal and the burkini.
Julian Rosefeldt’s "Manifesto" declares itself as a series of canny thefts.
The dean of American music critics on his late friend, public intellectual Marshall Berman.
“‘How Humans Learn’ is a splendid repository of ways to rethink how we teach college.” Ryan Boyd reviews Joshua R. Eyler’s new book.
Alyssa Oursler interviews Jessica Pan on her newest memoir "Sorry I'm Late, I Didn't Want to Come."
Foreign contractors are sent to a nation newly recovering from a decade-long civil war in order to develop infrastructure, which raises the question: whose role is it to forge peace anyway? Check out our Spring 2019 pick for the LARB Book Club: “The Parade” by Dave Eggers.
Rachel Barenbaum talks to Lauren Wilkinson about her new novel, “American Spy.”
A series of conversations on the state of Catalan literature. For this installment, Azareen Van der Vliet Oloomi talks to Chad Post.
Jonathan Lee interviews Damian Barr about his recent book “You Will Be Safe Here.”